STRIPLV TRENDING #213 IT-GIRL -
GRACE BOWERS
Grace Bowers was baptized by rock’ n’ roll music.
She cut her teeth on sweat-soaked stages
inside dive bars and found fellowship
in the divine playing of B.B. King.
She once studied six-string scripture,
written by Slash and Leslie West, for
hours daily, mastering her favorite
riffs on a ’61 cherry-finished Gibson SG.
As an up-and-comer in Nashville,
Dolly Parton recruited her for a
network television special, and Tyler Childers
requested that she join him on stage.
She’s played with a who’s-who of
three-chord storytellers and guitar-pickin’
torchbearers – Lainey Wilson,
Christone “Kingfish” Ingram, and
Susan Tedeschi, to name a few.
And she’s not yet old enough to graduate
high school. Phenom? Wunderkind? Prodigy?
No matter what label Bowers may be given,
she’s just a teenager who’s putting her faith
in rock ‘n’ roll, one song at a time.
“It’s a cool thing,” Bowers said. “It blows people’s
minds that I’m a 17-year-old girl playing guitar.
And as much as I hate being labeled as that, it’s true.”
But Bowers isn’t just a sought-after 17-year-old
guitarist storming jam sessions with her Gibson
and a gold-blonde mop of shoulder-length curls.
She’s a bandleader and songwriter preparing to
leave her mark on some of the biggest stages in music.
Her debut album, “Wine On Venus,” produced by
ace guitarist and songwriter John Osborne
(of hitmaking country group Brothers Osborne),
came out on August 9th.
Listeners get a first taste of the album on the lead
single and standout number, “Tell Me Why U Do That,”
where Bowers and her band, affectionately called
The Hodge Podge, deliver a throwback, feel-good
tune jam-packed with funk grooves, soul-inspired
melodies, and a stop-you-in-your-tracks guitar solo.
It’s the type of song that dares listeners not to
stand up and sing along.
Bowers co-wrote “Tell Me Why U Do That” alongside
Osborne and his singer-songwriter wife Lucie Silvas,
plus Nashville artist-songwriters Meg Mcree
and Ben Chapman.
“Tell Me Why U Do That” and the rest of
“Wine On Venus” showcase Bowers’ journey
from a teenager who live-streamed bedroom
practice sessions on Reddit, sometimes to
20,000+ viewers, no less, to a bona fide
album-maker with more than 200,000 followers
on Instagram. She picked up the acoustic guitar
as a nine-year-old obsessed with “cheesy” hair
metal videos. A few years later, her fandom
progressed to blues music after she stumbled
across B.B. King while shuffling through
radio stations in her mom’s car. The proverbial
floodgates opened, leading her to discover
essential blues artists Mississippi John Hurt,
T. Bone Walker, and others.
A native of Northern California, Bowers and
her family relocated to Nashville two-and-a-half
years ago, weeks before her first year of high
school (Bowers now studies online). Not yet old enough
to drive, she grew her audience on social media,
becoming a Gibson-endorsed artist by age 14.
She found her way to performing live, taking her
skills to dive bars and pay-at-the-door rock
clubs before graduating to guest spots at
Newport Folk Festival, Nashville’s Big Bash
New Year’s Eve concert, and her fundraising
gig for victims of the city’s Covenant School
shooting in 2023, among others.
How did one teenager cover so much musical
ground in such a short time? “Lots of practice,”
she said. “Lots of cutting teeth. Lots of not
saying ‘no’ to people when I should’ve. Just being
stubborn and persistent. I have worked my ass off
to make this happen. Just hard work.”
On the album, Bowers and The Hodge Podge
graduate from traditional rock and blues influence
to sounds inspired by Parliament-Funkadelic and
Sly and the Family Stone, she said. The group takes
its name from a mixed bag of players that Bowers
would invite to share the stage with on a given
night. Despite now being a solidified group,
the name stuck. The Hodge Podge includes vocalist
Esther Okai-Tetteh, bassist Eric Fortaleza, drummer
Brandon Combs, guitarist Prince Parker, and keyboard
player Joshua Blaylock.
Bowers co-wrote most of “Wine On Venus” in
songwriting circles, a creative exercise that
took her “a hot second” to comfortably navigate.
But listeners wouldn’t know a first-timer was
behind much of “Wine On Venus”; that’s clear on
“Holding On To Something,” a savvy and confident
number anchored by a riff Bowers began toying
with years ago, she said. The song features a slow-building
solo that culminates with harmonized playing and a
high-flying howl from Okai-Tetteh.
“I never forgot that riff, and I was jamming on it one
day with a friend of mine. We were writing some lyrics
to it, and we called over Esther,” she said.
“This was the first time we had ever written [together].
It turned out to be that song.”
“Wine On Venus” features a cover of Sly and the Family
Stone’s “Dance To The Music” that takes on a Hodge Podge twist.
This year, Bowers and the band take “Wine On Venus” on the
road for a run of dream-making festival shows, including
slots at BottleRock Napa Valley, Bristol Rhythm &
Roots Reunion, Bourbon & Beyond, and Pilgrimage Music
& Cultural Festival, among others.
But a booked schedule doesn’t mean Bowers isn’t already
thinking about the next project. Like most people who
believe in something, she wants to discover where this
rock ‘n’ roll journey leads her.
“I love it,” she said. “Seeing where I can go with it,
I still have so much to learn.”